At the Circus

1899

Henri Marie Raymond de Toulouse-Lautrec French, 1864-1901

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About the Artwork

Depicted here is a scene from the ballet Papa Chrysantheme performed in 1892 at the Nouveau Cirque in Paris, an establishment renowned for its modern fixtures such as electrical lighting and mechanically operated scenery. For this ballet the central area of the Nouveau Cirque was flooded to produce a lake filled with artificial lotus leaves. The figures in the foreground are dancers dressed in Japanese costumes. Lautrec was among the most innovative draftsmen of the 19th century. His work-whether executed with a brush, pen, crayon, or pencil is characterized by vibrant lines that convey the essence of a subject
with the deftest of means.

Title At the Circus

Artwork Date 1899

Artist Henri Marie Raymond de Toulouse-Lautrec

Life Dates 1864-1901

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Crayon, pastel, and watercolor on wove paper

Dimensions Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm) Framed: 24 1/2 × 20 1/2 × 3 1/2 inches (62.2 × 52.1 × 8.9 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Bequest of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 70.297.A

Markings

Signed Signed, in black crayon, lower left: [artist's monogram]

Marks Marks, lower right corner: [traces of artist's monogram]

Provenance

Maurice Joyant;
Mme. Dortu;
Jacques Seligman;
1944, Robert H. Tannahill [1893-1969] (Grosse Pointe Farms, Michigan, USA);
1970-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Figaro Artistique (April 1902): p. 13 (ill.).

Joyant, Maurice. Henri de Toulouse-Lautrec. Paris, 1927, p. 239.

Jaccomet, Daniel. Toulouse-Lautrec au cirque, 17 dessins. 1932, no. 13 [as Ballet-Fantaisie Nautique et Japonaise].

Frankfurter, Alfred. "Master Drawings of Five Centuries." Art News (November 1938): (ill.).

"Family Art Game." Detroit Free Press, April 26, 1981, p. 15 (ill.) [DIA Advertising Supplement].

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Catalogue Raisoneé

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Credit Line for Reproduction

Henri Marie Raymond de Toulouse-Lautrec, At the Circus, 1899, crayon, pastel, and watercolor on wove paper. Detroit Institute of Arts, Bequest of Robert H. Tannahill, 70.297.A.

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At the Circus

About the Artwork

Markings

Provenance

Exhibition History

Published References

Catalogue Raisoneé

Credit Line for Reproduction

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