C. Edwards Lester

between 1846 and 1848

Charles Loring Elliott American, 1812-1868

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title C. Edwards Lester

Artwork Date between 1846 and 1848

Artist Charles Loring Elliott

Life Dates 1812-1868

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 24 × 20 inches (61 × 50.8 cm) Framed: 30 1/4 × 26 3/8 × 3 inches (76.8 × 67 × 7.6 cm)

Classification Paintings

Department American Art before 1950

Credit Bequest of Charles P. Larned

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 55.178

Markings

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Provenance

probably Charles Edwards Lester (New York, New York, USA);
probably his daughter, Ellen Salisbury Larned (Detroit, Michigan, USA);
Charles P. Larned (Detroit, Michigan, USA);
1955-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback