About the Artwork
Although this box bears the signature of Ogata Kōrin and its simplicity, decorative flatness, and use of broad pewter inlays is related to his lacquer works, this particular suzuribako is believed to be the work of one of his followers. Restrained elegance achieved through the masterful juxtaposition of contrasting materials for maximum effect is a primary trait of Rimpa lacquer.
Box for Writing Implements
17th or early 18th century
Ogata Korin
1658-1716
Japanese
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Lacquer, gold, mother-of-pearl, and lead on wood
Overall: 2 × 8 1/4 × 11 5/8 inches (5.1 × 21 × 29.5 cm)
Lacquer
Asian Art
Founders Society Purchase with funds from Mr. and Mrs. Charles M. Endicott, Mr. and Mrs. George M. Endicott, Miss Elizabeth Ann Stoddard, Mr. Simeon H. Stoddard, and Mr. Stanford D. Stoddard
80.29
Public Domain
Markings
Signed, on interior, in Japanese: [translated: Korin]
Provenance
(Ishiguro Gallery);1980-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Bulletin of the DIA 58, no. 4 (1980): p. 189 (ill.).
Emura, Tomoko. “Rinpa Artists and the Samurai Class.” Bulletin of the DIA 88, no. 1/4 (2014): pp. 76-77, 82 (fig. 11).
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Credit Line for Reproduction
Ogata Korin, Box for Writing Implements, 17th or early 18th century, lacquer, gold, mother-of-pearl, and lead on wood. Detroit Institute of Arts, Founders Society Purchase with funds from Mr. and Mrs. Charles M. Endicott, Mr. and Mrs. George M. Endicott, et al., 80.29.
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