Box for Writing Implements

17th century

Ryukyuan, Japanese

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

It is thought that boxes for writing implements, larger boxes for stationery, and tables were travel accessories for the feudal lords of southern Japan who controlled much of the trade between Japan and the Ryūkyū Islands to the south during the Edo period. Ryūkyūan lacquer craftsmen used locally harvested mother-of-pearl, prized for its superior color, to create inlaid works for patrons in the islands, China, and Japan. The pairing of squirrels with grapes is a visual pun for longevity. It was an exceedingly popular motif throughout East Asia in paintings and the decorative arts from the seventeenth century onward. Here the undulating edge of the writing box is a sensitive complement to the incised inlay intertwined with painted gold embellishment.

Title Box for Writing Implements

Artwork Date 17th century

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Japanese

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Ryukyuan

Medium Lacquer, wood, mother-of-pearl, gold

Dimensions Overall: 2 3/8 × 8 1/2 × 10 1/2 inches (6 × 21.6 × 26.7 cm)

Classification Lacquer

Department Asian Art

Credit Founders Society Purchase with funds from Collins Holding Company, Mr. and Mrs. Charles M. Endicott and anonymous donor

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 81.683.A

Markings

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Provenance

Okura sale, Christie's Tokyo, 15 Feb 1981, lot 435

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

ORIENTAL LACQUER WORKS, Tokyo: Tokyo National Museum, 1977, fig 361.

COMMEMORATIVE CATALOGUE OF ORIENTAL LACQUER ARTS, Tokyo: Tokyo National Museum, 1977, fig 199.

Hirokazu, A., KOBIJUTSU 56, 1979, fig 8.

CHRISTIE'S AUCTION CATALOGUE, Feb 1981, Tokyo, lot 435.

DIA BULLETIN, vol 59, nos 2/3, 1981, pp 57-65, p 63 (ill).

Herbert, John (ed.), CHRISTIES REVIEW OF THE SEASON 1981, London: Weidenfeld and Nicolson, 1981, p 389 (ill).

Mitchell, S.W., "The Asian Collection at the Detroit Institute of Arts", ORIENTATIONS, vol 13, no 5, May 1982, pp 14-36, fig 20.

Mitchell, S., "A portfolio of East Asian lacquers," APOLLO, vol 124, no 298, Dec., 1986, p 78, (ill).

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Catalogue Raisoneé

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Credit Line for Reproduction

Ryukyuan, Japanese, Box for Writing Implements, 17th Century, Lacquer, wood, mother-of-pearl, gold. Detroit Institute of Arts, Founders Society Purchase with funds from Collins Holding Company, Mr. and Mrs. Charles M. Endicott, et al., 81.683.A.