  About the Artwork
  
  
  It is thought that boxes for writing implements, larger boxes for stationery, and tables were travel accessories for the feudal lords of southern Japan who controlled much of the trade between Japan and the Ryūkyū Islands to the south during the Edo period. Ryūkyūan lacquer craftsmen used locally harvested mother-of-pearl, prized for its superior color, to create inlaid works for patrons in the islands, China, and Japan.
 
The pairing of squirrels with grapes is a visual pun for longevity. It was an exceedingly popular motif throughout East Asia in paintings and the decorative arts from the seventeenth century onward. Here the undulating edge of the writing box is a sensitive complement to the incised inlay intertwined with painted gold embellishment.
  
  
  Title
  Box for Writing Implements
  
  
  Artwork Date
  17th century
  
  Artist
  ----------
  
  
  
  Life Dates
  ----------
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  Japanese
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
  Ryukyuan
  
  
  Medium
  Lacquer, wood, mother-of-pearl, gold
  
  
  Dimensions
  2 3/8 × 8 1/2 × 10 1/2 inches (6 × 21.6 × 26.7 cm)
  
  
  Classification
  Lacquer
  
  
  Department
  Asian Art
  
  
  Credit
  Founders Society Purchase with funds from Collins Holding Company, Mr. and Mrs. Charles M. Endicott and anonymous donor
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups.
  
  
  
  81.683.A
  
  
  Copyright
  Public Domain
