The Assumption of the Virgin

between late 16th and early 17th century

After Bartolomeo Passarotti , Artist Jerome Wierix , Artist

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Assumption of the Virgin

Artwork Date between late 16th and early 17th century

Makers After Bartolomeo Passarotti (Artist) Italian, 1529-1592 Jerome Wierix (Artist) Netherlandish, 1553-1619

Medium Engraving printed in black ink on laid paper

Dimensions Sheet (trimmed within plate mark): 6 3/4 × 5 5/8 inches (17.1 × 14.3 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Mrs. James E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 09.1S1251

Markings

Signed Signed, in plate, lower center of image: Hieronymus W. Sculp.

Inscriptions Inscribed, lower left corner of image: B. Pass. Rom inv. Inscribed, throughout image area: [capital letters A-E]

Marks Stamped, verso: Scripps 1885 (Lugt Suppl. 2357a) [date added in ink to the stamp]

Provenance

April 1885, (F. Keppel & Co., New York, New York, USA).
Mrs. James E. Scripps (Detroit, Michigan, USA);
1909-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Alvin, L. Catalogue Raisonné. Brussels, 1886, no. 31.

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Catalogue Raisoneé

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Credit Line for Reproduction

Jerome Wierix; after Bartolomeo Passarotti, The Assumption of the Virgin, between late 16th and early 17th century, engraving printed in black ink on laid paper. Detroit Institute of Arts, Gift of Mrs. James E. Scripps, 09.1S1251.