The Archangel Michael Defeating Satan

between 1692 and 1705

Acisclo Antonio Palomino de Castro y Velasco Spanish, 1655-1726

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Archangel Michael Defeating Satan

Artwork Date between 1692 and 1705

Artist Acisclo Antonio Palomino de Castro y Velasco

Life Dates 1655-1726

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Spanish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 82 3/16 × 57 11/16 inches (208.8 × 146.5 cm) Framed: 99 1/2 × 75 1/8 × 3 1/8 inches (252.7 × 190.8 × 8 cm)

Classification Paintings

Department European Painting

Credit Gift of Colnaghi in honor of Salvador Salort-Pons

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2016.58

Markings

Signed Signed, lower left: AP feb.

Provenance

Lassala Collection (Valencia, Spain).
Coll & Cortés (Madrid, Spain).
Colnaghi;
2016-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Olmos, Emilio María Aparicio. Palomino: su arte y su tiempo. Valencia, 1966, pp. 157 (pl. 9).

Sánchez, Alfonso Pérez. Catálogo de dibujos. Dibujos españoles s. XVIII (C-Z). Madrid, 1977, p. 132.

Reynolds, Maria Teresa Terro. “Una obra inedita de Antonio Palomino.” Boletín del Seminario de Estudios de Arte y Arqueología 55 (1989): pp. 516–518.

Aterido, Ángel. Spanish Painting. London and Spain, 2012, pp. 224–231.

Navarette, Benito. “Italia como modelo: Disimulación y plagio en la pintura barroca de finales del siglo XVII,” in El arte español entre Roma y Paris (siglos XVIII y XIX): Intercambios artísticos y circulacióon de modelos (Collection de Casa de Velázquez 143), ed. Luis Sazatornil Ruiz and Frédéric Jiméno. Madrid, 2014, pp. 171–190; 184–187, (fig. 47).

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Catalogue Raisoneé

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Credit Line for Reproduction

Acisclo Antonio Palomino de Castro y Velasco, The Archangel Michael Defeating Satan, between 1692 and 1705, oil on canvas. Detroit Institute of Arts, Gift of Colnaghi in honor of Salvador Salort-Pons, 2016.58.