Ampulla

6th century

On View

European: Medieval and Renaissance, Level 2, West Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Ampulla

Artwork Date 6th century

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Palestinian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Tin-lead alloy

Dimensions Overall: 2 7/16 × 1 7/8 × 1/4 inches (6.2 × 4.8 × 0.6 cm)

Classification Metalwork

Department European Sculpture and Dec Arts

Credit City of Detroit Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 26.154

Markings

Inscriptions Inscribed

Provenance

(M. Bing, Paris, France);
1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Koetzsche-Brietenbruch, Lieselotte. "Pilgerandenken aus dem Heiligen Land." Jahrbuch fur Antike und Christentum, vol. 11 (1984): p. 242.

Lesley, Parker. "An Echo of Early Christianity." The Art Quarterly 2, no. 3 (1939): pp. 215-232.

Lesley, Parker. Early Christian Byzantine and Romanesque Art. Exh. cat., Detroit Institute of Arts. Detroit, 1939, pp. 12-16.

The Art of the Antique. Exh. cat., Rose Art Museum. Waltham, 1968, cat. no. 17.

Ross, Marvin C. Catalogue of the Byzantine and Early Medieval Antiquities in the Dumbarton Oaks Collection. Vol. 1, Metalwork, Ceramics, Glass, Glyptics, Painting. Washington DC, 1962, p. 71.

Early Christian and Byzantine Art. Exh. cat., Walters Art Gallery. Baltimore, 1947, cat. no. 347, p. 79.

Netzer, N. and V. Reinburg, eds. Memory and the Middle Ages. Exh. cat., Boston College Museum of Art. Chestnut Hill, Mass, 1995, cat. no. 22, p. 27.

Sandin, K. "Liturgy, Pilgrimage, and Devotion in Byzantine Objects." Bulletin of the DIA 67 (1993): pp. 47-56.

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Catalogue Raisoneé

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Credit Line for Reproduction

Palestinian, Ampulla, 6th century, tin-lead alloy. Detroit Institute of Arts, City of Detroit Purchase, 26.154.

No Available Image

Orphrey Fragment

Spanish

c. 1500

No Available Image

Orphrey Fragment

Spanish

c. 1500

No Available Image

Orphrey Fragment

Spanish

c. 1500

The Burning of Troy

Fontana Workshop

between 1570 and 1574

Ewer

Antoine LeBrun

between 1738 and 1739

Basin

Antoine LeBrun

between 1738 and 1739

Cosmetic Pot

Antoine LeBrun

between 1738 and 1739

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Ampulla

About the Artwork

Markings

Provenance

Exhibition History

Published References

Catalogue Raisoneé

Credit Line for Reproduction

Related Works

Orphrey Fragment

Orphrey Fragment

Orphrey Fragment

The Burning of Troy

Ewer

Basin

Cosmetic Pot

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