USA/2022-directed by Brian Kaufman and Mark Kurlyandchik

For 30 years, soft-spoken chef Jimmy Lee Hill has run a highly regarded culinary training program out of a prison in Coldwater, Mich., offering incarcerated men a renewed sense of purpose through the craft of fine dining while demonstrating the life-changing potential that trust and compassion can offer the incarcerated. This will be the Michigan premiere of Coldwater Kitchen and opening night of the festival.

Freep Film Festival celebrates its milestone 10th year bringing the best in documentaries to Detroit. The 2023 festival, which will be held April 26-30, will feature five days of programming at the Detroit Film Theatre including its opening night film. Screenings will include conversations with filmmakers and people featured in the films.

The festival’s focus is on documentaries with strong connections to Detroit or Michigan or films that resonate strongly with Midwest communities. For a complete list of the festival schedule go to freepfilmfestival.com
 

Each year Mr. B stages his annual Blues and Boogie Piano Celebration in Ann Arbor, and in 2023 the DIA is hosting an additional evening of Boogie Woogie piano featuring Mr. B and pianists Carl ‘Sonny’ Leyland and Luca Fliastro.

Boogie Woogie is a profound, expressive and powerful style of piano playing, firmly rooted in the blues and played here by two of the masters of the style. 

Italy/2019-directed by Mimmo Calopresti | 87 minutes 

In 1951, in Africo, a small village in the southern valley of Aspromonte, a woman dies in childbirth because a doctor fails to arrive on time. No road connects Africo with other villages. In the wake of this tragedy, all of the inhabitants put aside their work and unite to build their own road. Giulia (Valeria Bruni Tedeschi), the new school teacher arrived from the North, has another mission: to teach standard Italian to the local children to help them integrate with the rest of Italy.

But she will have to contend with local mafia leader, Don Totò (Sergio Rubini), who is determined to ensure that the town remains cut off and under his control. Director Mimmo Calopresti will be in attendance and will answer questions after the show.

"A vibrant portrait of an archaic world, where poor folk demanding basic rights are met with nothing other than indifference on the part of institutions, and the tyranny of local crooks who are allowed to lay down their own version of the law, Aspromonte is intended to be a tale that’s at once neorealistic and epic.” -Vittoria Scarpa, Cineuropa

The Italian Film Festival USA is the largest festival dedicated exclusively to contemporary Italian cinema in the United States. It presents new, feature-length comedies, dramas, documentaries and even short animated films. They all share iconic Italian locations and language that resonate with audiences worldwide, and offers Detroiters an opportunity to discover a new wave of young Italian film artists without hopping on a plane.

All films are in Italian with English subtitles. For the complete festival schedule visit italianfilmfests.org.  

The Italian Film Festival USA is presented under the auspices of the Consulate of Italy in Detroit. This activity is supported by the Michigan Arts & Culture Council and Detroit Film Theatre.

Italy/2019-directed by Leonardo D’Agostino | 105 minutes 

Young, talented, and very spoiled, Christian Ferro (Andrea Carpenzano) is “The Champion”, a rock star of the Italian soccer world. Lonely, shy, and burdened with financial problems, Valerio (Stefano Accorsi) is the professor who is assigned to this young soccer star to help him pass his high school equivalency exam. The two men could not be more different. But they will learn to lean on each other, generating a bond that will change them both.

"Leonardo D'Agostini’s debut film starring Stefano Accorsi and Andrea Carpenzano is a compelling story about friendship set in the world of professional, millionaire footballers in Italy” -Camillo De Marco, Cineuropa 

The Italian Film Festival USA is the largest festival dedicated exclusively to contemporary Italian cinema in the United States. It presents new, feature-length comedies, dramas, documentaries and even short animated films. They all share iconic Italian locations and language that resonate with audiences worldwide, and offers Detroiters an opportunity to discover a new wave of young Italian film artists without hopping on a plane.

All films are in Italian with English subtitles. Free admission. For the complete festival schedule visit italianfilmfests.org.  

The Italian Film Festival USA is presented under the auspices of the Consulate of Italy in Detroit. This activity is supported by the Michigan Arts & Culture Council and Detroit Film Theatre.
 

Celebrate the voices and stories of Asian American and Pacific Islander (AAPI) communities at the DIA throughout May in honor of Asian American and Pacific Islander Heritage Month! The DIA partners with AAPI community groups and professional artists to showcase a blend of traditional and contemporary dance, musical performances, art, and more. This year’s celebration and performances include Bengali, Burmese, Chinese, Filipino, Hmong, Indian, Indonesian, Japanese, Korean, Polynesian, Taiwanese, Thai, and Vietnamese cultures.

Asian American and Pacific Islander Heritage American Month programs are developed in partnership with the DIA’s auxiliary group Friends of Asian Art and Cultures.

All programs are onsite and are free with general museum admission unless otherwise noted ($). Capacity for programs in Rivera Court and Marvin & Betty Danto Lecture Hall is limited. Seating begins 30 minutes before performance start.

Thursday, May 2

• 6 p.m. Alan Chin – Home and Away: A Photographer's Journey Through Conflict and Culture in the *Marvin & Betty Danto Lecture Hall

Friday, May 3

• 8 p.m. Drop-in Workshop: Uchiwa paper fans in the Artmaking studio
• 6 – 8:30 p.m. Drawing in the Galleries: Japanese & Korean and Indian & Southeast Asian Art Galleries

Saturday, May 4

• Noon – 4 p.m. Drop-in Workshop: Uchiwa paper fans in the Artmaking studio
• 2 p.m. Music and Dance Performance: Asian American Pacific Islander Celebration Show in *Rivera Court

Sunday, May 5

• 6 – 8 p.m. Drop-in Workshop: Uchiwa paper fans in the Artmaking studio

Friday, May 10

• 7 p.m. Friday Night Live! Music Performance: Aki Takahashi in Danto Lecture Hall

Saturday and Sunday, May 18 and 19

• Noon – 4 p.m. Guest Artist Drop-in Workshop: Separate and Together with Mike Han in Artmaking Studio

Friday, May 24 

• 7 p.m. Friday Night Live! Music Performance: Gao Hong & Issam Rafea in *Rivera Court 
• 7 p.m. Film: Evil Does Not Exist at the Detroit Film Theatre ($)

Saturday, May 25

• 3 p.m. and 7 p.m. Film: Evil Does Not Exist at the Detroit Film Theatre ($)

Sunday, May 26

• 2 p.m. Film: Evil Does Not Exist at the Detroit Film Theatre ($)

Friday, May 31 

• 7 p.m. Friday Night Live! Music and Dance Performance: Vietnamese Cultural Journey in *Rivera Court

Senegal/1973—directed by Djibril Diop Mambéty | 89 minutes

With a stunning mix of the surreal and the naturalistic, Djibril Diop Mambéty paints a vivid, fractured portrait of Senegal in the early 1970s. In this New Wave–influenced fantasy drama, two young lovers long to leave Dakar for the glamour and comforts of France, but their escape plan is beset by complications both concrete and mystical.

Characterized by dazzling imagery and music, the alternately manic and meditative Touki Bouki is widely considered one of the key works of Senegalese cinema and was named in the recent Sight & Sound poll as one of the 100 greatest films of all time. In Wolof, Arabic and French with English subtitles. 

“In Touki Bouki, rejection of one’s homeland is inextricably bound to a glamorization of the colonizer’s homeland.” – Derek Smith, Slant 

The Detroit Film Theatre presents this series of films by African directors, working in Africa and Europe during the 1960s and 1970s, in conjunction with the DIA special exhibition James Barnor: Accra/London. 
 

Senegal/1966—directed by Ousmane Sembène | 59 minutes

Ousmane Sembène, one of the greatest and most groundbreaking filmmakers who ever lived and the most internationally renowned African director of the twentieth century, made his feature debut in 1966 with the brilliant and stirring Black Girl (La noire de . . .). Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plot—about a young Senegalese woman who moves to France to work for a wealthy white couple and finds that life in their small apartment becomes a figurative and literal prison—into a complex, layered critique on the lingering colonialist mindset of a supposedly postcolonial world.

Featuring a moving central performance by Mbissine Thérèse Diop, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s. Winner, 1966 Prix Jean Vigo. In French with English subtitles.

The Detroit Film Theatre presents this series of films by African directors, working in Africa and Europe during the 1960s and 1970s, in conjunction with the DIA special exhibition James Barnor: Accra/London. 
 

Phyllis Chen presents a new program for piano, toy pianos, and projections. Opening the program is Tone Grove, a piece for manipulated music boxes. The main piece is based on an original scroll painting by Newbery- and Caldecott-award winning artist and author Grace Lin. The piece explores the four major Chinese constellations. 

In Mexico, and other Latin American countries, the Day of the Dead is the time of the year to celebrate the lives of close relatives, friends or community members who have passed away. Objects important to lost loved ones, such as favorite foods, drinks, mementos and pictures, are collected and incorporated into elaborate displays that include pan de muerto (bread of the dead), sugar skulls, candles, flowers, papel picado (paper cutouts) and other decorations.

The Detroit Institute of Arts, in collaboration with the Consulate of Mexico in Detroit, the Southwest Detroit Business Association and Mexicantown CDC, is looking for local artists and community members to participate in the museum’s 11th Annual Ofrendas: Celebrating el Día de Muertos exhibition at the museum.

Interested participants are encouraged to submit a proposal of an ofrenda altar or offering honoring the life and memory of lost loved ones as part of a celebration of the traditions of Día de Muertos (Day of the Dead).

Proposals will be reviewed by a selection committee composed of DIA staff and local community members and considered using the following criteria: clarity of intent (who or what is being honored), level of displayed artistry and/or creativity and alignment with the values and characteristics of the Día de Muertos tradition.

How to participate

To submit a proposal, fill out the submission form here by May 14, 2023. Additional information and a materials list are included on the linked form. A Spanish version is also available here.

Selected artists will be notified by Monday, May 29 2023.

The selected ofrendas will be displayed to the public from September 23 – November 5, 2023, in the Special Exhibitions Galleries south of Rivera Court. The artist or group of artists of each selected ofrenda will receive a $500 stipend.

Winslow Homer is one of the best-known and best-loved American artists, but he was an intensely private individual who left no diaries and few letters. Scholars have struggled to discover the man behind the paintings, watercolors, and prints.

Building on new facts he discovered and new interpretations he developed in his acclaimed recent biography of the artist, independent scholar William R. Cross will discuss some of the ways in which Homer’s seemingly transparent works both expressed and contributed to changing attitudes toward race, class conflict, gender roles, nature, and human nature. 

Please join us before the lecture at 5:30 for a Cocktail Reception and book signing with Cross. 

AAW Members can click here to get tickets for a private dinner following the event.

Sponsored by the Ida and Conrad H. Smith Fund.