Ten Minutes to Live

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Friday, Mar 29, 2024
7 p.m.

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Free with general admission

*General museum admission is FREE for residents of Macomb, Oakland and Wayne counties.

Location:

Detroit Film Theatre

5200 Woodward Ave
Detroit, MI 48202
United States

(USA/1932-directed by Oscar Micheaux)

Micheaux’s earliest surviving sound film is set in the Club Libya, a Harlem cabaret modeled on the iconic Cotton Club popular with Black artists in the late 1920s and early 1930s. Lawrence Chenault plays a movie producer who becomes a fixture at the club as he scouts for talent to cast in his newest picture but finds he can't choose between two singers, both named Ida. The story then shifts to another patron (Willor Lee Guilford) who gets a note saying she will receive a second note, then be killed ten minutes afterwards.

Based on three unpublished short stories by Micheaux, Ten Minutes to Live cast real-life Cotton Club musicians as extras and preserves on its soundtrack Micheaux shouting “cut!” a beat before a scene ended. (68 min.) Presented with a live piano score by Ian Finkelstein. 

This program is part of a companion series of film and music events presented in celebration of Regeneration: Black Cinema 1898–1971, on view at the Detroit Institute of Arts Feb. 4–June 23, 2024. Regeneration is organized by the Academy Museum of Motion Pictures.   

A man sitting on a bus in a coat, suit and hat

(USA/1932-directed by Oscar Micheaux)

Micheaux’s earliest surviving sound film is set in the Club Libya, a Harlem cabaret modeled on the iconic Cotton Club popular with Black artists in the late 1920s and early 1930s. Lawrence Chenault plays a movie producer who becomes a fixture at the club as he scouts for talent to cast in his newest picture but finds he can't choose between two singers, both named Ida. The story then shifts to another patron (Willor Lee Guilford) who gets a note saying she will receive a second note, then be killed ten minutes afterwards.

Based on three unpublished short stories by Micheaux, Ten Minutes to Live cast real-life Cotton Club musicians as extras and preserves on its soundtrack Micheaux shouting “cut!” a beat before a scene ended. (68 min.) Presented with a live piano score by Ian Finkelstein. 

This program is part of a companion series of film and music events presented in celebration of Regeneration: Black Cinema 1898–1971, on view at the Detroit Institute of Arts Feb. 4–June 23, 2024. Regeneration is organized by the Academy Museum of Motion Pictures.