The Last Laugh (with live score by Little Bang Theory)

Attend:

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Tuesday, Dec 31, 2024
3 p.m.

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Free with general admission

*General museum admission is FREE for residents of Wayne, Oakland, and Macomb counties.

Location:

Detroit Film Theatre

5200 Woodward Ave
Detroit, MI 48202
United States

Germany/1924—directed by F.W. Murnau | 90 min.

The splendidly uniformed, aging doorman at a grand Berlin hotel, portrayed by the legendary Emil Jannings, is devastated by his demotion to washroom attendant. His shame is so profound that he cannot bring himself to tell his family or neighbors. He even goes so far as to steal his old uniform to wear to his daughter’s wedding.

Made during Germany’s “Golden Age” of filmmaking, F.W. Murnau’s The Last Laugh introduced innovative camera techniques that enhanced the power of visual storytelling. The film was hailed as state-of-the-art cinema during the silent era.

The unexpected ending, as suggested by the title, remains as richly satisfying as ever. The film is shown in a new 2K restoration, accompanied by an original live score performed by Little Bang Theory.

“A masterpiece of the German silent cinema… it has never looked as dazzling.” –Dave Kehr, The New York Times

last laugh

Germany/1924—directed by F.W. Murnau | 90 min.

The splendidly uniformed, aging doorman at a grand Berlin hotel, portrayed by the legendary Emil Jannings, is devastated by his demotion to washroom attendant. His shame is so profound that he cannot bring himself to tell his family or neighbors. He even goes so far as to steal his old uniform to wear to his daughter’s wedding.

Made during Germany’s “Golden Age” of filmmaking, F.W. Murnau’s The Last Laugh introduced innovative camera techniques that enhanced the power of visual storytelling. The film was hailed as state-of-the-art cinema during the silent era.

The unexpected ending, as suggested by the title, remains as richly satisfying as ever. The film is shown in a new 2K restoration, accompanied by an original live score performed by Little Bang Theory.

“A masterpiece of the German silent cinema… it has never looked as dazzling.” –Dave Kehr, The New York Times