The Emperor Jones
Attend:
| Free with general admission |
*General museum admission is FREE for residents of Macomb, Oakland and Wayne counties.
Location:
Lecture Hall
5200 Woodward Ave
Detroit, MI 48202
United States
(USA/1933—directed by Dudley Murphy)
The Emperor Jones is an early sound film based on Eugene O’Neill’s groundbreaking 1920 theater work. The story follows a Black Pullman porter accused of murder, who evades prison by escaping to a remote Caribbean island where he sets himself up as the titular emperor.
The play toured New York and London in 1925 with a young Paul Robeson in the lead, delivering searing performances that made him an international star. The film adaptation — Robeson’s most important screen role — was made outside the prevailing restrictions of the Hollywood studio system by avant-garde director Dudley Murphy (Ballet Mécanique).
Had it come out a year later, O’Neill’s transgressive themes on race and critiques of colonialism would have been censored by the puritanical Motion Picture Production Code. (72 min.)
Made prior to the implementation of the Motion Picture Code, The Emperor Jones remains a potent parable about power, exploitation, and race. This original, uncensored version of the film includes language, racial epithets and cultural characterizations that may be offensive and disturbing to viewers today, as they were in 1933.
This screening will be introduced by Sam White, founding Artistic Director of Shakespeare in Detroit, who will discuss the legacy of Paul Robeson’s performance and the connection to Eugene O’Neill’s original stage production of The Emperor Jones.
This program is part of a companion series of film and music events presented in celebration of Regeneration: Black Cinema, 1898–1971, on view at the Detroit Institute of Arts Feb. 4–June 23, 2024. Regeneration is organized by the Academy Museum of Motion Pictures.
(USA/1933—directed by Dudley Murphy)
The Emperor Jones is an early sound film based on Eugene O’Neill’s groundbreaking 1920 theater work. The story follows a Black Pullman porter accused of murder, who evades prison by escaping to a remote Caribbean island where he sets himself up as the titular emperor.
The play toured New York and London in 1925 with a young Paul Robeson in the lead, delivering searing performances that made him an international star. The film adaptation — Robeson’s most important screen role — was made outside the prevailing restrictions of the Hollywood studio system by avant-garde director Dudley Murphy (Ballet Mécanique).
Had it come out a year later, O’Neill’s transgressive themes on race and critiques of colonialism would have been censored by the puritanical Motion Picture Production Code. (72 min.)
Made prior to the implementation of the Motion Picture Code, The Emperor Jones remains a potent parable about power, exploitation, and race. This original, uncensored version of the film includes language, racial epithets and cultural characterizations that may be offensive and disturbing to viewers today, as they were in 1933.
This screening will be introduced by Sam White, founding Artistic Director of Shakespeare in Detroit, who will discuss the legacy of Paul Robeson’s performance and the connection to Eugene O’Neill’s original stage production of The Emperor Jones.
This program is part of a companion series of film and music events presented in celebration of Regeneration: Black Cinema, 1898–1971, on view at the Detroit Institute of Arts Feb. 4–June 23, 2024. Regeneration is organized by the Academy Museum of Motion Pictures.