Eleven P.M.

Attend:

Calendar Icon

Sunday, Feb 18, 2024
2 p.m.

Add to Calendar

Free with general admission

*General museum admission is FREE for residents of Macomb, Oakland and Wayne counties.

Location:

Lecture Hall

5200 Woodward Ave
Detroit, MI 48202
United States

(USA/1928—directed by Richard D. Maurice)  

Silent film director and railway labor organizer Richard D. Maurice was born in Cuba in 1893, migrated to the US in 1903, and settled in Detroit where he worked as a tailor. In July 1920 he founded the Maurice Film Company at 184 High Street, and produced two feature films released a decade apart. Eleven P.M., his surviving feature, is a surreal melodrama in which a poor violinist named Sundaisy (Maurice) tries to protect an orphan girl (Wanda Maurice) who is victimized by petty criminals.

Many Black filmmakers during the silent era adopted stylistic conventions of Victorian theater, but Maurice's innovative use of location filming, extreme camera angles, fantasy imagery, and kaleidoscopic special effects closely resemble avant-garde European films of the 1920s. Eleven P.M. will be presented with a live musical score, composed and performed by pianist Alvin Waddles. (58 min.) 

This program is part of a companion series of film and music events presented in celebration of Regeneration: Black Cinema, 1898–1971, on view at the Detroit Institute of Arts Feb. 4–June 23, 2024. Regeneration is organized by the Academy Museum of Motion Pictures.

A man lays on the ground in a suit with his arms up by his head

(USA/1928—directed by Richard D. Maurice)  

Silent film director and railway labor organizer Richard D. Maurice was born in Cuba in 1893, migrated to the US in 1903, and settled in Detroit where he worked as a tailor. In July 1920 he founded the Maurice Film Company at 184 High Street, and produced two feature films released a decade apart. Eleven P.M., his surviving feature, is a surreal melodrama in which a poor violinist named Sundaisy (Maurice) tries to protect an orphan girl (Wanda Maurice) who is victimized by petty criminals.

Many Black filmmakers during the silent era adopted stylistic conventions of Victorian theater, but Maurice's innovative use of location filming, extreme camera angles, fantasy imagery, and kaleidoscopic special effects closely resemble avant-garde European films of the 1920s. Eleven P.M. will be presented with a live musical score, composed and performed by pianist Alvin Waddles. (58 min.) 

This program is part of a companion series of film and music events presented in celebration of Regeneration: Black Cinema, 1898–1971, on view at the Detroit Institute of Arts Feb. 4–June 23, 2024. Regeneration is organized by the Academy Museum of Motion Pictures.