Wayne State University Print Portfolio

2014

Alicia Duncan, Artist Angelo Conti, Artist Brian Kritzman, Artist Clara DeGalan, Artist + 18 more

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About the Artwork

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Markings

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Provenance

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Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Wayne State University Print Portfolio

Artwork Date 2014

Makers Alicia Duncan (Artist) Angelo Conti (Artist) Brian Kritzman (Artist) Clara DeGalan (Artist) Denes Galfi (Artist) Derek Coté (Artist) Evan Larson-Voltz (Artist) Horea Georgescu (Artist) JenClare B. Gawaran (Artist) John Richardson (Artist) Josephine C. Hazen (Artist) Kevin Campbell (Artist) Lauren Kalman (Artist) Margi Weir (Artist) Mary Rousseaux (Artist) Michele Porter (Artist) Millee Tibbs (Artist) American, born 1976 Nicole Richards (Artist) Pamela DeLaura (Artist) Robin L. Wagner (Artist) Ryan Standfest (Artist) American, born 1974 Thomas L. Pyrzewski (Artist)

Medium Various

Dimensions Overall: 16 × 20 × 2 inches (40.6 × 50.8 × 5.1 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of James Pearson Duffy Department of Art and Art History, Wayne State University

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2015.296

Markings

Inscriptions ------

Provenance

Please note:This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Kevin Campbell; Angelo Conti; Derek Coté; et al., Wayne State University Print Portfolio, 2014, various. Detroit Institute of Arts, Gift of James Pearson Duffy Department of Art and Art History, Wayne State University, 2015.296.

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