About the Artwork
Avalotikeśvara, or Guanyin in Chinese, is a bodhisattva, or enlightened being, who embodies the compassion of all Buddhas. On his path to Buddhahood, a bodhisattva chose to stay behind in the earthly realm to help others to achieve enlightenment.
In this painting, the seated posture with the right leg crossed before the body represents the Water Moon manifestation and the landscape depiction of his personal paradise known as Mount Potalaka, which was thought to be on an island somewhere south of India. This painting, probably created during the fifteenth century in Japan, has classic elements of the Chinese Buddhist figural style. Its closest corollary is a thirteenth-century painting of Avolokiteśvara in the collection of the Yamaguchi Prefecture Museum.
From Bulletin of the Detroit Institute of Arts 89 (2015)
Water Moon Avalokitesvara
between 15th and 16th century
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Japanese
Japanese
Ink and paint on silk
Overall: 72 3/4 × 24 1/8 inches (184.8 × 61.3 cm) Image: 34 1/2 × 16 inches (87.6 × 40.6 cm)
Paintings
Asian Art
Founders Society Purchase, Friends of Asian Art Acquisition Fund
2000.88
Public Domain
Markings
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Provenance
(Kaikodo, New York, New York, USA);2000-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Credit Line for Reproduction
Japanese, Water Moon Avalokitesvara, between 15th and 16th century, ink and paint on silk. Detroit Institute of Arts, Founders Society Purchase, Friends of Asian Art Acquisition Fund, 2000.88.
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