About the Artwork
Virgin and Child with Angels
between mid-15th and early 16th century
Benvenuto di Giovanni di Meo del Guasta
1436-1518
Italian
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Paint on wood panel
Unframed (arched panel): 25 1/2 × 18 1/2 inches (64.8 × 47 cm) Framed: 39 3/4 × 30 1/4 × 4 inches (101 × 76.8 × 10.2 cm)
Paintings
European Painting
City of Detroit Purchase
24.95
Public Domain
Markings
Inscribed, on the Virgin's halo: AVE GRAZIA PRENA DOMINUS TEGUMP...ED...TU Inscribed, stencilled, lower middle left: [crown] | CL Inscribed, top left: 920B Inscribed, top right: 99
Label, on reverse: 1893/94 New Gallery Exhibition Label, on reverse, top right: [Duveen label] 4184 Benvenuto di Giovanni Label, on reverse: 108
Provenance
by 1830, Collection Pietro Giomarelli (Siena, Italy) [according to E. Romagnoli];Collection Duke Carlo Luigi (Lucca, Italy);
by late 1840s, Collection Earl of Ashburnham (Ashburnham Palace, Sussex, Great Britain);
until 1913, by descent, 5th Earl of Ashburnham (Ashburnham Palace, Sussex, Great Britain);
1913, by descent, Mary Catherine, Lady Ashburnham;
bought by (Robert Langton Douglas, Dublin, Ireland);
(Joseph Duveen, London, England);
1924-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
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Early Italian Art. Exh. cat., New Gallery (Gruber & Spielman). London, 1893, no. 64.
Valentiner, W.R. "Sienese Paintings of the XIV-XV Centuries." Bulletin of the DIA 6, 4 (1924): pp. 34-39 (ill.).
Heil, W. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts. Detroit, 1930, no. 10 (ill.).
Berenson, B. Italian Pictures of the Renaissance. Oxford, 1932, p. 76.
Berenson, B. Pitture italiane del rinascimento: catalogo dei principali artisti e del loro opere. Milan, 1936, p. 66.
Van Marle, R. The Development of the Italian School of Painting. The Hague, 1937, Vol. 16, pp. 404-405.
Valentiner, W.R., ed. Duveen Pictures in Public Collections in America. New York, 1941, no. 97 (ill.). [dates to ca. 1500]
Richardson, E.P., ed. Detroit Institute of Arts, Catalogue of Paintings. Detroit, 1944, p. 12, no. 10.
Paintings in the DIA: A checklist of the paintings acquired before June 1965. Detroit, 1965, p. 13.
Fredericksen, B. & D. Davisson. Benvenuto di Giovanni, Girolamo di Benvenuto: their altarpieces in the J. Paul Getty Museum. Malibu, 1966, p. 24. [dates to 1480s]
Richardson, E.P., ed. Treasures from the Detroit Institute of Arts. Detroit, 1966, p. 73 (ill.).
Berenson, B. Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places. Central Italian and North Italian schools. London, 1968, p. 40. [as Madonna and Child with Two Angels]
Behrman, S.N. Duveen. Boston, 1972, p. 219 [listed as Madonna and Child with two angels]
Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth Century Italian Paintings. Cambridge, Massachusetts, 1972, p. 25.
Levi d'Ancona, M. The Garden of the Renaissance, Botanical Symbols in Italian Painting. Florence, 1977, p. 195. [identifies floral crown worn by angels as jasmine, a flower sacred to Virgin]
Sutton, D. "Robert Langton Douglas, Part III, section 17. Dramatic Days." Apollo 109 (June 1979): pp.447-475 (fig. 16).
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Credit Line for Reproduction
Benvenuto di Giovanni di Meo del Guasta, Virgin and Child with Angels, between mid-15th and early 16th century, paint on wood panel. Detroit Institute of Arts, City of Detroit Purchase, 24.95.
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