About the Artwork
Within the tight confines of a wooden panel, James MacNeill Whistler harnessed the power of the sea. Late in the summer of 1893, at the end of an extended stay in Brittany, Whistler and his wife spent time in Bréhat, a small fishing island off the rugged, northernmost coast. According to a letter to his picture restorer, Whistler painted Violet and Blue: Among the Rollers from a boat “out in full sea”; he feared that there was residue of salt spray on the surface. The uncharacteristically thick strokes and heavy impasto—notably in the depiction of the long, swelling waves or “rollers”—as well as the small dimensions of the panel and the limited color palette, confirm his claim. Although working quickly, Whistler conveyed the full scope of the experience: roiling, deep blue waves breaking into white crests under the violet clouds of a volatile, late summer sky.
From Bulletin of the Detroit Institute of Arts 89 (2015)
Violet and Blue: Among the Rollers
ca. 1893
James Abbott McNeill Whistler
1834 - 1903
American
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Oil on panel
Overall: 7 × 10 inches (17.8 × 25.4 cm)
Paintings
American Art before 1950
Museum Purchase, Robert H. Tannahill Foundation Fund
2006.87
Public Domain
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Provenance
2006-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)For more information on provenance, please visit:
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Credit Line for Reproduction
James Abbott McNeill Whistler, Violet and Blue: Among the Rollers, ca. 1893, oil on panel. Detroit Institute of Arts, Museum Purchase, Robert H. Tannahill Foundation Fund, 2006.87.
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