Veduta del Porto di Ripa Grande

1753

Giovanni Battista Piranesi Italian, 1720-1778

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Veduta del Porto di Ripa Grande

Artwork Date 1753

Artist Giovanni Battista Piranesi

Life Dates 1720-1778

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Etching

Dimensions ----------

Classification Prints

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 71.57

Markings

Signed Signed, lower right, below inscription: G.B. Piranesi Archietetto fec.

Inscriptions Inscription, below image, lower left: 1. Dogana grande. 2. Dogana del passo. 3. Arsenale. 4. Granari dell'Annona. | 5. Ospiaio Apostolio di S. Michele, e Casa Degl'Invalidi, e di educazione nelle arti | e correzione de' Fanciulli, e di condanna delle Donne delinquenti. Inscription, below image, lower center: Veduta del Porto di Ripa Grande | [illegible] Inscription, below image, lower right: 6. Avanzi di una delle pile dell'antico Ponte Sublicio, già di Legno, e rifatto po: | seia di pietra da Emilio, e ristorato dai Cesari. 7. Avanzi delle Saline antiche. | 8. Avanzi di muri de'tempi bassi. falsamente supposti del detto Ponte Sublicio.

Provenance

estate of Paul Leroy Grigaut;
1971-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Perlove, Shelley and Jacqueline Lawson. Piranesi's Views of Rome. Dearborn, 1986, no. 3, p. 27 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Giovanni Battista Piranesi, Veduta del Porto di Ripa Grande, 1753, etching. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, 71.57.