About the Artwork
Despite its title, this combination of plaster, scrap wood, and galvanized iron refers to demolition rather than construction. It represents that familiar sidewalk device of doors and lumber discards shielding pedestrians from flying debris. Typically, Segal juxtaposes a plaster figure cast from life with a found, but reconstructed, elemental contraption to create a sculpture that questions the viewer's assumptions about reality and art.
The Tunnel
1968
George Segal
1924 - 2000
American
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Plaster and mixed media
Overall: 86 × 168 × 56 inches (218.4 cm × 4 m 26.7 cm × 142.2 cm)
Sculpture
Contemporary Art after 1950
Founders Society Purchase, Miscellaneous Gifts Fund
70.658
Restricted
Markings
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Provenance
1970-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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van der Marck, Jan. George Segal. New York, 1975, p. 41 (detail ill.), (pls. 10, 102), [as "The Construction Tunnel"].
“Family Art Game.” Detroit Free Press, April 27, 1980, p. 14, [DIA Advertising Supplement].
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Credit Line for Reproduction
George Segal, The Tunnel, 1968, plaster and mixed media. Detroit Institute of Arts, Founders Society Purchase, Miscellaneous Gifts Fund, 70.658.
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