Tin Tin Malikin

1847

John Mix Stanley American, 1814-1872

On View

Native American, Level 1, South Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Tin Tin Malikin

Artwork Date 1847

Artist John Mix Stanley

Life Dates 1814-1872

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on board

Dimensions Unframed: 10 5/8 × 7 3/4 inches (27 × 19.7 cm) Framed: 18 1/8 × 15 1/4 × 1 3/4 inches (46 × 38.7 × 4.4 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Dexter M. Ferry, Jr.

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 38.103

Markings

Signed Signed, lower left: J. M. Stanley

Inscriptions Inscribed, at bottom: Tin Tin Malikin - or strong breast. Leggins of .... [two words illegible] deer skin.

Provenance

Dexter M. Ferry, Jr. (Detroit, Michigan, USA);
1938-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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