Tiled Niche

between 1848 and 1888

Ustad Mahammad Husayn, Islamic Iranian

On View

Islamic, Level 1, North Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Tiled Niche

Artwork Date between 1848 and 1888

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Iranian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Islamic

Medium Underglaze painted fritware

Dimensions Overall: 65 × 42 × 3 5/8 inches (165.1 × 106.7 × 9.2 cm) Including base (mount): 68 1/4 × 44 1/2 × 4 3/8 inches (173.4 × 113 × 11.1 cm) Overall (opening): 23 × 15 inches (58.4 × 38.1 cm)

Classification Ceramics

Department Islamic Art

Credit Gift of Mrs. Wilson W. Mills

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 54.194

Markings

Inscriptions Inscribed, poem, top of lower panel: [translated: What happened in the heat of exchange at the bazaar Where everyone from anywhere was buying Egyptians I heard that from missing him The days all have become disturbed Someone very handsome came toward the bazaar It is enough that we should all be his purchaser.] Inscribed: [translated: It was completed in the esteemed workshop, of the honorable work of ustadh (master) Muhammad Husayn, kashi-paz (tile maker/potter), in the year one thousand two...] [date incomplete]

Provenance

acquired from the Qajar Shah of Iran, Nasr al-Din Shah in (Carlsbad, Germany)

1888, possibly aquired by Hazen S. Pingree (Detroit, Michigan, USA)

by 1919, by descent to his daughter, Mrs. Sheman L. Depew [later Mrs. Wilson W. Mills]

1954-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Bulletin of the DIA 1, no. 1 (1919): pp. 8-10, p. 9 (ill.) [as 13th century].

"Family Art Game: Celebrations," The Detroit Free Press (May 17, 1987): p. 28 (ill.) [DIA Advertising Supplement].

"Family Art Game: Visions and Rhythms," The Detroit Free Press (April 23, 1995): p. 10 (ill. detail) [DIA Advertising Supplement].

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Catalogue Raisoneé

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Credit Line for Reproduction

workshop of Ustad Mahammad Husayn, Islamic, Tiled Niche, between 1848 and 1888, underglaze painted fritware. Detroit Institute of Arts, Gift of Mrs. Wilson W. Mills, 54.194.