Still Life with Strawberries

between 1600 and 1625

Flemish

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Still Life with Strawberries

Artwork Date between 1600 and 1625

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Flemish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on oak panel

Dimensions Unframed: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm) Framed: 16 1/8 × 21 1/2 × 2 1/4 inches (41 × 54.6 × 5.7 cm)

Classification Paintings

Department European Painting

Credit Gift of Anna Scripps Whitcomb

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 35.106

Markings

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Provenance

April 28, 1930, auctioned, C. Baumann of Westphalia [and others, C.J. Reijerse] (The Hague, Netherlands), lot 4

(Kunsthandel P. de Boer, Amsterdam, Netherlands)

1935, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA) with gift of funds from Anna Scripps Whitcomb

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Boer, P. de. Bloemstukken van oude meesters. The Hague, 1935, no. 14.

Valentiner, W.R. "Still Life Paintings," Bulletin of the DIA 15, no. 4 (1936): pp. 46-50, esp. pp. 48-49, (repr.) [as by Osias Beert].

Scheyer, E. Baroque Painting. Detroit, 1937, pp. 58, 60, (fig. 29) [as by Osias Beert].

Richardson, E.P., ed. Catalogue of Paintings. Detroit, 1944, pp. 10-11, no. 426 [as by Osias Beert].

Hairs, M. -L. "Osais Beert, l'ancien, peintre de fleurs," Revue Belge d'Archéologie et d'Histoire de l'Art, vol. 20, no. 3 (1951): p. 251 [doubtful attribution].

Richardson, E.P. Catalogue of the Whitcomb Gifts to the DIA. 1954, pp. 50-51 [as by Beert].

Fruits and Flowers in Painting. Exh. cat., Santa Barbara Museum of Art. Santa Barbara, 1958, p. 15, cat. 7 [as Osias Beet].

Five Hundred Years of Still-Life. Exh. cat., Mortimer Brandt Gallery. New York, 1961.

Things: Still Life Painting from the 17th to the 20th Century. Exh. cat., Willistead Art Gallery, London Public Library and Art Museum. Windsor, Ontario, 1969-1970, cat. 3.

Held, J.S. Flemish and German Paintings of the 17th Century: The Collections of The Detroit Institute of Arts. Detroit, 1982, pp. 54-55, (repr.) [as Flemish or German artist].

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