Still Life with a Dead Swan

ca. 1651

Jan Baptist Weenix Dutch, 1621-1659

On View

Dutch Golden Age, Level 3, South Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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About the Artwork

Title Still Life with a Dead Swan

Artwork Date ca. 1651

Artist Jan Baptist Weenix

Life Dates 1621-1659

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Dutch

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 72 5/8 × 73 3/4 × 4 15/16 inches (184.5 × 187.3 × 12.5 cm) Framed: 60 × 60 1/2 inches (152.4 × 153.7 cm)

Classification Paintings

Department European Painting

Credit Gift of Ralph Harman Booth

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 26.22

Markings

Inscriptions ------

Provenance

R.A. Tatton (Cuerdon Hall, Bamber Bridge, Preston, Lancashire, England)

June 16, 1925, sold by (Christie's, consigned by Agnews on behalf of the owner, London, England) auction Tatton, lot 61 [as Jan Weenix]

1925-1926, purchased by (Thomas Agnew & Sons, London, England) [for 370 guineas]

by 1926, purchased by Ralph Harman Booth

1926-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

H.J. "A Still Life Painting by Jan Weenix." Bulletin of the DIA 7, no. 6 (1926): p. 67 (ill.). [as Jan Weenix.]

Valentiner, W.R. "Travel Notes" Bulletin of the DIA 10, no. 1 (1928): pp. 6-12 (ill.). [as Jan Baptist Weenix.]

Heil, W. Catalogue of Paintings in the Permanent Collection of the Detroit Institute of Arts. Detroit, 1930, cat. 246 (ill.).

Richardson, E.P., ed. Detroit Institute of Arts Catalogue of Paintings. Detroit, 1944, p.143, no. 246.

Stechow, W. "Jan Baptist Weenix." Art Quarterly 11, no. 3 (1948): pp. 181-199 (fig. 9).

Dutch Painting, The Golden Age. Exh. cat., Metropolitan Museum of Art, et al. New York, 1954, cat. 89 (ill.).

Stechow, W. "Optics and opulence: a brilliant view of Dutch Painting." Art News 53, no. 7 (November 1954): pp. 18-25; 74-75 (ill.).

Ginnings, R.J. "The Art of Jan Baptist Weenix and Jan Weenix." Diss., University of Delaware, 1970, p. 113 ff.

Sullivan, S.A. "Jan Baptist Weenix. Still Life with a Dead Swan" Bulletin of the DIA 57, no. 2 (1979): pp. 64-71 (fig. 1).

Sullivan, S.A.The Dutch Gamepiece. Montclair, 1984, p. 87, note 47.

Masters of Light Dutch Painters in Utrecht during the Golden Age. Exh. cat., Fine Arts Museums of San Francisco. San Francisco, 1997, pp. 367-369 (ill.).

Still-Life Paintings from the Netherlands 1550-1720. Exh. cat., Rijksmueum, et al. Amsterdam, 1999, pp. 198-200, cat. 41 (ill.).

Masters of Dutch Painting: The Detroit Institute of Arts, London, 2004, pp. 260-261.

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