St. Aborigine

1981

William Harper American, born 1944

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title St. Aborigine

Artwork Date 1981

Artist William Harper

Life Dates born 1944

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Gold and silver cloisonné enamel on copper; 14k gold, sterling silver, shell, bone, claw, and mirror

Dimensions Overall: 6 3/4 × 3 5/8 × 3/4 inches (17.1 × 9.2 × 1.9 cm) Overall (mounted): 7 × 4 5/8 × 4 5/8 inches (17.8 × 11.7 × 11.7 cm) Overall (chain length): 16 inches (40.6 cm)

Classification Jewelry

Department Contemporary Art after 1950

Credit Founders Society Purchase with funds from Mr. and Mrs. James Yaw, Douglas and Margaret Borden, Robert and Karen Larson, Mrs. George C. Crane, and the Benson and Edith Ford Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1987.23

Markings

Signed Signed, reverse

Provenance

Yaw Gallery (Birmingham, Michigan, USA);
1987-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Saints, Martyrs, and Savages: Enameled Jewelry by William Harper. Exh. cat., Kennedy Gallery. New York, 1982, no. 21. (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Courtesy of the artist

William Harper, St. Aborigine, 1981, gold and silver cloisonné enamel on copper; 14k gold, sterling silver, shell, bone, claw, and mirror. Detroit Institute of Arts, Founders Society Purchase with funds from Mr. and Mrs. James Yaw, Douglas and Margaret Borden, et al., 1987.23.

Self Portrait of the Artist as an Icon

William Harper

1990

Insertion Band

American

early 20th century

No Available Image

Pattern and Sample Book for Girl's Clothing

Mary Cummings

between 1910 and 1935

No Available Image

Scarf

American

1925

No Available Image

Pink Bouquet

Anonymous

1928

No Available Image

Coat

Elizabeth Hawes

1937

No Available Image

Dress

Elizabeth Hawes

1937

No Available Image

Dress

American

c. 1947

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St. Aborigine

About the Artwork

Markings

Provenance

Exhibition History

Published References

Catalogue Raisoneé

Credit Line for Reproduction

More by Artist

Self Portrait of the Artist as an Icon

Related Works

Insertion Band

Pattern and Sample Book for Girl's Clothing

Scarf

Pink Bouquet

Coat

Dress

Dress

Feedback