About the Artwork
Like his friend Willem de Kooning, Kline used abstraction to commemorate specific people, places, or events. Dynamic line and powerful brushstrokes loaded with paint reduce his compositions to a few large forms. Both the white and black areas seem to project from the work with equal force; this dramatic surface tension releases and yet controls the energy of his process. Kline's dialogue of black and white in Siskind evokes the abstract photographs of Aaron Siskind, his close friend, to whom this work is dedicated.
Siskind
1958
Franz Kline
1910-1962
American
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Oil on canvas
Unframed: 80 × 111 inches (203.2 × 281.9 cm) Framed: 81 1/2 × 112 1/2 × 2 3/8 inches (207 × 285.8 × 6 cm)
Paintings
Contemporary Art after 1950
Founders Society Purchase, W. Hawkins Ferry Fund
65.7
Restricted
Markings
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Provenance
1965-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Franz Kline, Siskind (p.375)
FRANZ KLINE: 1910-1962. Castello di Rivoli and Museo d’Arte Contemporanea. Milan: Skira, 2004; p. 375, col. ill.
"American Art in the Twentieth Century", London: Royal Academy of Arts, 1993, no.119.
"The W. Hawkins Ferry Collection," The Detroit Institute of Arts, 1966, no.30 (ill).
The Bulletin of the DIA, vol. 50, no. 2, 1971, p.20 (ill).
Mehring, Christine, "Siskind's Challenge; Action Painting and a Newer Laocoon, Photographically Speaking", Yale University Art Bulletin, Photography at Yale (2006), pp. 86 (ill) - 107.
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Credit Line for Reproduction
© 2005 The Franz Kline Estate / Artists Rights Society (ARS), New York
Franz Kline, Siskind, 1958, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, W. Hawkins Ferry Fund, 65.7.
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