About the Artwork
Self-Portrait
ca. 1927
Claude Cahun
1894-1954
French
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Gelatin silver print
Image: 4 5/8 × 3 1/2 inches (11.7 × 8.9 cm) Sheet: 4 5/8 × 3 1/2 inches (11.7 × 8.9 cm)
Photographs
Prints, Drawings & Photographs
Founders Society Purchase, Albert and Peggy de Salle Charitable Trust and the DeRoy Photographic Acquisition Endowment Fund
1993.25
Restricted
Markings
Inscribed, in pencil, verso, lower right: CC16508-Z.
Provenance
(Zabriskie Gallery, New York, New York, USA);1993-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
We welcome your feedback for correction and/or improvement.
Suggest FeedbackPublished References
Chadwick, Whitney, ed. Mirror Images: Women, Surrealism, and Self Representation. Cambridge, 1998 (ill.) [reproduced on cover, variant cropping].
Blessing, Jennifer, et al. Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York, 1997, p. 7 (ill.).
Lichtenstein, Therese. "A Mutable Mirror: Claude Cahun." ArtForum International (April 1992): pp. 64-67; p. 64 (ill.).
Phillips, Christopher. To Imagine that I am Another. Art in America (July 1992): pp. 92-93; p. 92 (ill.).
Schneede, Uwe M. Die Kunst Des Surrealismus: Maleri, Skulptur, Dichtung, Fotografie, Folm. Munich, 2006, p.189 (ill.).
Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.
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Credit Line for Reproduction
Claude Cahun, Self-Portrait, ca. 1927, gelatin silver print. Detroit Institute of Arts, Founders Society Purchase, Albert and Peggy de Salle Charitable Trust and the DeRoy Photographic Acquisition Endowment Fund, 1993.25.
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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction or improvement.
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