Self Portrait

1932

Herbert Bayer American, 1900-1985

Not On View

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Provenance

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Published References

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About the Artwork

Title Self Portrait

Artwork Date 1932

Artist Herbert Bayer

Life Dates 1900-1985

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Gelatin silver print

Dimensions Image: 13 3/8 × 9 1/2 inches (34 × 24.1 cm) Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Gift of Jan and Ingeborg van der Marck

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. F1988.30

Markings

Signed Signed and dated, in pencil, lower right, on image: Bayer 32

Provenance

Ingeborg and Jan van der Marck (Detroit, Michigan, USA);
1988-present gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Sobieszek, Robert A., and Deborah Irmas. The Camera I: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection. Exh. cat., Los Angeles County Museum of Art. Los Angeles and New York, 1994, (pl. 51).

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