Rue des Haudriettes, 2 (Paris)

1901

Eugène Atget French, 1857-1927

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Rue des Haudriettes, 2 (Paris)

Artwork Date 1901

Artist Eugène Atget

Life Dates 1857-1927

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Albumen print

Dimensions Image: 8 1/2 × 7 inches (21.6 × 17.8 cm) Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Acquisitions Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. F1983.76

Markings

Inscriptions Inscribed, in pencil, on verso, upper center: Au bon Coin Rue des | Haudriettes 2 Inscribed, in pencil, on verso, upper right corner: 4341 Inscribed, in pencil, on verso, lower left corner: 80.6.20.6

Provenance

(Prakapas Gallery, New York, New York, USA);
1983-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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