The Rigger

1917

Mahonri Mackintosh Young American, 1877-1957

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Rigger

Artwork Date 1917

Artist Mahonri Mackintosh Young

Life Dates 1877-1957

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Bronze

Dimensions Overall: 26 3/4 × 11 1/4 × 8 1/2 inches (67.9 × 28.6 × 21.6 cm)

Classification Sculpture

Department American Art before 1950

Credit Founders Society Purchase, Elizabeth Champe Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 26.88

Markings

Signed Signed, on top of the girder near the figure's left foot: YOUNG

Inscriptions Inscribed, on the back of the base just to the right of center: ROMAN BRONZE WORKS N.Y.

Provenance

1917-1926, Mahonri Mackintosh Young;
1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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