Quimper

1932

Lyonel Feininger American, 1871-1956

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Quimper

Artwork Date 1932

Artist Lyonel Feininger

Life Dates 1871-1956

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Watercolor and pen and ink on cream laid paper

Dimensions Sheet: 11 13/16 × 18 3/8 inches (30.3 × 46.7 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Bequest of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 70.254

Markings

Signed Signed, in pen and ink, lower left: Feininger

Inscriptions Inscribed, in pen and ink, lower center: Quimper Inscribed, in pen and ink, lower right: 10 6 32

Provenance

Robert H. Tannahill [1893-1969] (Grosse Pointe Farms, Michigan, USA);
1970-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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