Prometheus Chained on the Caucasus Mountains

1745/1746

Gaspero Bruschi, Artist Giovanni Battista Foggini, Artist Doccia Porcelain Factory, Manufacturer

On View

European: Grand Tour of Italy-Florence, Level 2, South Wing

Prometheus Chained on the Caucasus Mountains

Prometheus Chained on the Caucasus Mountains: 1 of Collection Gallery

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About the Artwork

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Prometheus Chained on the Caucasus Mountains

Artwork Date 1745/1746

Makers Gaspero Bruschi (Artist) Italian, 1701-1780 Giovanni Battista Foggini (Artist) Italian, 1652-1725 Doccia Porcelain Factory (Manufacturer) Italian

Medium Hard-paste porcelain with enamel decoration

Dimensions Overall: 13 3/8 × 13 × 11 1/4 inches (34 × 33 × 28.6 cm)

Classification Ceramics

Department European Sculpture and Dec Arts

Credit Founders Society Purchase, Ralph Harman Booth Bequest Fund and the Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1990.247

Markings

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Provenance

purchased by Leonardo Lapicciarella (Florence, Italy);
sold by (Armin B. Allen, London, England and New York, New York, USA);
1990-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Twilight of the Medici: Late Baroque Art in Florence, 1670-1743. Exh. cat., DIA. Detroit, 1974, p. 64.

Darr, A.P. "The Figure Revisited: Early Doccia Porcelain Sculptures in Detroit and its Development in 18th-Century Italy" in The International Ceramics Fair and Seminar. London, 1994, p. 11 (fig. 1).

Darr, A.P. "Innovations during the twilight of Florence: eighteenth century sculpture in Doccia porcelain" in Francesco Robba and the Venitian Sculpture of the Eighteenth Century: Papers from an International Symposium, Ljubljana, 16th-18th October 1998, ed. J. Hofler. Rokus, 2000, pp. 94, 96-97 (fig. 1).

Darr, A.P., P. Barnet, A. Bostrom, C. Avery, et al. Catalogue of Italian Sculpture in the Detroit Institute of Arts, 2 vols. London, 2002, vol. 2, cat. 156.

Darr, Alan Phipps. "The Doccia Porcelain Sculpture Collection in the Detroit Institute of Arts." Amici di Doccia, Quaderni, no. 8 (2014-2015): 32–84, pp. 42–43 (ill.).

Kräftner, Johann. "Doccia Porcelains from the Princely Collections of Liechtenstein and John Winter." Amici di Doccia, Quaderni, no. 8 (2014-2015): pp. 14-31; p. 22.

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Catalogue Raisoneé

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Credit Line for Reproduction

attributed to Gaspero Bruschi; after a model by Giovanni Battista Foggini; Doccia Porcelain Factory, Prometheus Chained on the Caucasus Mountains, 1745/1746, hard-paste porcelain with enamel decoration. Detroit Institute of Arts, Founders Society Purchase, Ralph Harman Booth Bequest Fund and the Robert H. Tannahill Foundation Fund, 1990.247.