About the Artwork
Portrait of a Woman
1541
Hans Muelich
1516-1573
German
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Oil on wood panel
Unframed: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm) Framed: 32 11/16 × 27 3/16 × 2 7/8 inches (83 × 69.1 × 7.3 cm)
Paintings
European Painting
Gift of Dr. Rudolf J. Heinemann
57.1
Public Domain
Markings
Signed and dated, left center: -1541- HM [artist's monogram]
Inscribed, left center: IRFS ALTES/XXVII/IAR
Provenance
by 1930, co-owned by (Galerie P. de Boer, Amsterdam, Netherlands) and (Hans Baumann, Düsseldorf, Germany);(Galerie Fleischmann, Munich, Germany);
by 1956, (Rudolf J. Heinemann, New York, New York, USA)
December 1956 and January 1957-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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"Oude Schilderijen en Teekeningen." Sales cat., Kunsthandel P. de Boer. Amsterdam, cat. 2, cat. 57 (ill.).
Röttger, B.H. "Hans Mielich." in Thieme-Becker, Allgemeines Lexikon der bildenden Künstler, vol. 25. 1931, p. 212. [dated as before Italian sojourn.]
Röttger, B.H. "Zum Werke und zur Beurteilung Hans Mielichs." pp. 473.
Scharf, A. "Ein Frauenbildnis des Hans Mülich." Der Cicerone 22 (1930) p. 213 (ill.). [dated as after Italian sojourn.]
Buchner, E. Meisterwerke alterer Kunst aus dem Deutschen Kunsthandel. Cologne, 1930, no. 14.
Grigaut, P.L. "Portrait of a Bavarian Lady." Bulletin of the DIA 36, no. 4 (1956-57): p. 81 (ill.).
Löcher, K. "Studien zur oberdeutschen Bildnismalerei des 16. Jahrhunderts." Jahrbuch der Staatlichen Kunstgsammlungen in Baden-Württemberg (1967): pp. 31-84.
Osten, Gert von der. Deutsche und niederländische Kunst der Reformationszeit. Cologne, 1973, p. 207.
Hoidn, Renate. Studien zu Hand Mielich and Bildnismaler. Master's diss., Free University Berlin, 1994, p. 25-26, cat. no. 9.
Löcher, K. Hand Mieleich (1516-1573). Bildnismaler in München. Berlin, 2002, p. 48, (ill.) 16.
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Credit Line for Reproduction
Hans Muelich, Portrait of a Woman, 1541, oil on wood panel. Detroit Institute of Arts, Gift of Dr. Rudolf J. Heinemann, 57.1.
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