Portrait of a Woman

early 17th century

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.
Audio Transcript

Please note: This section is empty

About the Artwork

Title Portrait of a Woman

Artwork Date early 17th century

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Spanish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Oil on canvas

Dimensions Unframed: 27 1/2 × 23 1/8 inches (69.9 × 58.7 cm) Framed: 37 1/4 × 33 3/4 × 4 1/8 inches (94.6 × 85.7 × 10.5 cm)

Classification Paintings

Department European Painting

Credit Gift of the Earhart Foundation

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 69.259

Markings

Inscriptions Inscribed, on stretcher: This is the property of Lord Dungannon

Provenance

Dungannon collection (County Tyrone, Ireland);
Viscount Dungannon collection (Shropshire, Market Drayton, England);
Henry Reginald Corbet, Esq. (Adderly Hall, Market Drayton, England);
May 15, 1923, auction of Reginal Corbet, Esq. collection by (Sotheby's, London, England), lot 60.
1924, (Alfred L. Nicholson, London, England).
(A. Siegfried Aram Gallery, New York, New York, USA).
possibly ca. 1925, (E[h]rich Galleries, New York, New York, USA).
Harry Boyd Earhart Foundation (Ann Arbor, Michigan, USA);
1969-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Burlington Magazine 45, no. 256 (July 1924): p. 2, (repr.) [attributed to Velázquez; it illustrates editorial but there is no written reference to the work].

Mayer, August L. Zeitschrift fur bildende Kunst, vol. 11924. p. 24 (ill.) [attributed to Velazquez].

Mayer, A. L. Velázquez: A Catalogue Raisonné of the Pictures and Drawings. London, 1936, p. 135, no. 568, (pl. 186) [property of A. L. Nicholson; as by Velázquez].

Soria, M.S. "José Leonardo, Velázquez's Best Disciple." Art Quarterly 13, no. 4 (1950): pp. 270, 273-274, no. 20 [attributed to Jusepe Leonardo].

López-Rey, J. Velázquez: A Catalogue Raisonné of His Oeuvre. London, 1963, p. 332, no. 607, (pl. 433) [not by Velázquez].

Mazón de la Torre, M.A. Jusepe Leonardo y su tiempo. Saragossa [Zaragoza], 1977, pp. 192-194, (fig. 8) [as by Jusepe Leonardo].

The Soul of Spain. Exh. cat., Albuquerque Museum. Albuquerque, 2005, pp. 178-179, cat. 41, (repr.) [as unknown artist].

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback