About the Artwork
Lee-Smith, an African-American painter who grew up in Cleveland, lived and worked in Detroit between the years 1945 and 1958. The Piper explores the loneliness of the urban individual and the psychological alienation of the young. Personal symbolism guides the formal construction of this work: the wall, an indicator of the difficulty of escape; the young boy, a metaphor for mankind; and music, a symbol of the longing to break free. The crumbling wall is in the shadow of a modernist building, suggesting the plight of the urban poor left behind by the growing city.
The Piper
1953
Hughie Lee-Smith
1915 - 1999
American
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Oil on composition board
Unframed: 22 × 35 1/4 inches (55.9 × 89.5 cm) Framed: 25 5/8 × 39 3/4 × 2 3/4 inches (65.1 × 101 × 7 cm)
Paintings
African American Art
Gift of Mr. and Mrs. Stanley J. Winkelman
66.391
Restricted
Markings
Signed, lower left: Hughie | Lee-Smith | '53
Signed and dated in white, lower left: Hughie | Lee-Smith | '53
Provenance
1967-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)For more information on provenance, please visit:
Provenance pageExhibition History
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44th Annual Exhibition for Michigan Artists. Exh. cat., Detroit Institute of Arts. Detroit, 1953, cat. no. 96, p. 11 (ill.).
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Credit Line for Reproduction
© Artists Rights Society (ARS), New York
Hughie Lee-Smith, The Piper, 1953, oil on composition board. Detroit Institute of Arts, Gift of Mr. and Mrs. Stanley J. Winkelman, 66.391.
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