The Piper

Hughie Lee-Smith American, 1915 - 1999
On View

in

African American, Level 2, North Wing

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About the Artwork

Lee-Smith, an African-American painter who grew up in Cleveland, lived and worked in Detroit between the years 1945 and 1958. The Piper explores the loneliness of the urban individual and the psychological alienation of the young. Personal symbolism guides the formal construction of this work: the wall, an indicator of the difficulty of escape; the young boy, a metaphor for mankind; and music, a symbol of the longing to break free. The crumbling wall is in the shadow of a modernist building, suggesting the plight of the urban poor left behind by the growing city.

The Piper

1953

Hughie Lee-Smith

1915 - 1999

American

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Oil on composition board

Unframed: 22 × 35 1/4 inches (55.9 × 89.5 cm) Framed: 25 5/8 × 39 3/4 × 2 3/4 inches (65.1 × 101 × 7 cm)

Paintings

African American Art

Gift of Mr. and Mrs. Stanley J. Winkelman

66.391

Restricted

Markings

Signed, lower left: Hughie | Lee-Smith | '53

Signed and dated in white, lower left: Hughie | Lee-Smith | '53

Provenance

1967-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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Published References

44th Annual Exhibition for Michigan Artists. Exh. cat., Detroit Institute of Arts. Detroit, 1953, cat. no. 96, p. 11 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Hughie Lee-Smith, The Piper, 1953, oil on composition board. Detroit Institute of Arts, Gift of Mr. and Mrs. Stanley J. Winkelman, 66.391.

The Piper
The Piper