Peggy Sanderson Hughes and her Daughter

Charles Willson Peale American, 1741-1827
On View

in

American, Level 2, West Wing

  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Dressed in a fashionable and expensive dress made of imported silk, Peggy Sanderson Hughes sits in an elegant chair, probably made of imported mahogany, with one of her daughters seated on her lap. The child is probably Louisa Hughes (1787 – 1861), who inherited both this painting and a companion portrait of her father, Christopher Hughes, which is also at the Detroit Institute of Arts. The child wears a gold necklace and and holds a large hand-carved wooden doll; both she and her doll wear silk, like her mother. The doll’s costume may have been sewn locally, perhaps from fragments of a worn-out dress, but the doll itself would have been made in England. Like the chair and the sitters’ clothes, the doll is an expensive luxury good that evidences the family’s wealth and status. Louisa Hughes went on to marry George Armistead, who during the War of 1812 was assigned command of Fort McHenry in Baltimore Harbor. In August 1813, he commissioned a Baltimore seamstress, Mary Pickersgill, to produce an immense, 30 x 42–foot American flag to fly over the fort. That flag is now famous as the “Star-Spangled Banner.” After his successful defense of Baltimore, Armistead retained the flag, which stayed in the family until his grandson donated it to the Smithsonian Institution in 1912. “The Star-Spangled Banner” now hangs inside the main entrance to the National Museum of American History in Washington, DC.

Peggy Sanderson Hughes and her Daughter

ca. 1788-1789

Charles Willson Peale

1741-1827

American

Unknown

Oil on canvas

Unframed: 36 × 27 1/2 inches (91.4 × 69.9 cm) Framed: 40 1/2 × 32 × 1 3/4 inches (102.9 × 81.3 × 4.4 cm)

Paintings

American Art before 1950

Museum Purchase, Robert H. Tannahill Foundation Fund

2010.180

Copyright not assessed, please contact rightsrepo@dia.org.

Markings

Please note: This section is empty

Provenance

Christopher Hughes and Margaret (Peggy) Sanderson Hughes

their daughter, Louisa Hughes

her son, Christopher Hughes Armistead (Baltimore, Maryland, USA)

his daughter, Agnes Gordon Armistead (Baltimore, Maryland, USA)

her son, Alexander Gordon, Jr.

his son, Alexander Gordon, III

his daughters, Mrs. Agnes Armistead (Gordon) Stark and Mrs. Ann McKim (Gordon) Phillips. 2010-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Charles Willson Peale, Peggy Sanderson Hughes and her Daughter, ca. 1788-1789, oil on canvas. Detroit Institute of Arts, Museum Purchase, Robert H. Tannahill Foundation Fund, 2010.180.

Peggy Sanderson Hughes and her Daughter
Peggy Sanderson Hughes and her Daughter