About the Artwork
Olympia
1982
Victor Burgin
born 1941
English
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Gelatin silver print on board
Image: 12 1/16 × 17 15/16 inches (30.6 × 45.6 cm) Sheet: 20 × 24 inches (50.8 × 61 cm)
Photographs
Prints, Drawings & Photographs
Gift of the Lila and Gilbert Silverman Collection
2023.262.1
Copyright Not Evaluated
Markings
Signed and dated, in black pen, verso center: Victor Burgin | 1982
Inscribed, in black pen, verso center [inscribed inside a pencil square]: Olympia (the sand-man) | a triptych | Victor Burgin | 1982 Inscribed, in pencil, verso, upper left: A
Provenance
1984, sold by (John Weber Gallery, New York, New York, USA);1984-2020, purchased by Gilbert B. Silverman [1925-2016] and Lila Silverman [1933-2020] (Bloomfield Hills, Michigan, USA);
2020-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
For more information on provenance, please visit:
Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Suggest FeedbackPublished References
Russell, John. “Victor Burgin.” The New York Times, March 23, 1984.
Paoletti, John T. The critical eye/I : Victor Burgin, Gilbert & George, Mary Kelly, Richard Long, Bruce McLean, David Tremlett. Exh. cat. Yale Center for British Art. New Haven, 1984, pp. 8-9 (ill); p. 46.
Degener, Patricia. “Six Artists Who Have Political Messages to Get Across.” St. Louis Post-Dispatch, September 13, 1987.
At Issue: Art and Advocacy. Exh. brochure, St. Louis Gallery of Contemporary Art. St. Louis, 1987 (ill.)
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Credit Line for Reproduction
Victor Burgin, Olympia, 1982, gelatin silver print on board. Detroit Institute of Arts, Gift of the Lila and Gilbert Silverman Collection, 2023.262.1.
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