Nadia au cheveux lisse

1948

Henri Matisse French, 1869-1954

Not On View

Nadia au cheveux lisse: 1 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Nadia au cheveux lisse

Artwork Date 1948

Artist Henri Matisse

Life Dates 1869-1954

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Aquatint printed in black ink on wove paper

Dimensions Plate: 17 × 13 3/4 inches (43.2 × 34.9 cm) Sheet: 25 7/8 × 19 7/8 inches (65.7 × 50.5 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of John S. Newberry

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 53.52

Markings

Signed Signed, in pencil, lower right: H Matisse

Inscriptions Inscribed, in pencil below signature, lower right: 24/25 Inscribed, in pencil, lower right: verso: Pl 349 Inscribed, verso, upper left: 25 [circled]

Marks Watermark: Marais Pur fil

Provenance

1953-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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