The Miraculous Draught of Fishes

ca. between 1695 and 1697

Sebastiano Ricci Italian, 1659-1734

On View

European: Grand Tour of Italy-Venice, Level 2, South Wing

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About the Artwork

Christ at the Sea of Galilee is an important early work by Ricci. Simon Peter, in his haste to join Jesus, has jumped from the boat and eagerly tries to reach Christ on the beach (John 21:1–8). The painting was probably designed for a church or a private chapel. Ricci's ability to work in any style required by his patrons reflects the many influences that the artist encountered throughout his career. Born in Venice, he responded to the work of Veronese, but the influence of both Bolognese and Roman artists can also be seen in his style.

Title The Miraculous Draught of Fishes

Artwork Date ca. between 1695 and 1697

Artist Sebastiano Ricci

Life Dates 1659-1734

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 50 1/8 × 65 7/8 inches (127.3 × 167.3 cm) Framed: 59 1/2 × 74 15/16 × 2 3/4 inches (151.1 × 190.3 × 7 cm)

Classification Paintings

Department European Painting

Credit Gift of the Matilda R. Wilson Fund in memory of Matilda R. Wilson

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 76.146

Markings

Inscriptions ------

Provenance

until 1976, private collection (France)

1976, (Heim Gallery, London, England)

1976-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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Published References

Italian Paintings and Sculptures of the 17th and 18th centuries. Exh. cat., Heim Gallery. London, 1976, cat. 16 (ill.).

Daniels, J. L'opera completa di Sebastiano Ricci. Milan, 1976, cat. 70 (ill.).

Mosby, D. Bulletin of the DIA: Annual Report 56, no. 1 (1977) pp. 9, 23, 24, 27 (fig. 11).

Gazette des Beaux-Arts, suppl., no. 1310 (March 1978): p. 95.

Pallucchini, R. La pittura veneziana del seicento, 2 vols. Milan, 1981, vol. 1, p. 324

Martini. E. La pittura del Settaecento veneto. Udine, 1982, 0. 479. [as G. Diziani.]

Muti, L. and D. De Sarno Prignano. "A tu per tu con la pittura." Studi e ricerche di storia dell'Arte, Faenza, 2002, pp. 250-251 (fig. 10). [as a collaboration between S. Ricci and Peruzzini.]

Bissell, R.W., A. Derstine, and D. Miller. Masters of Italian Baroque Painting: The Detroit Institute of Arts. London, 2005, pp. 10, 165-168, cat. no. 54.

Scarpa, A. Sebastiano Ricci. Milan, 2006, p. 178, cat. 92.

Derstine, Andria. "The Detroit Institute of Arts and Italian Baroque Painting." In Buying Baroque: Italian Seventeenth-Century Paintings Come to America, ed. Edgar Peters Bowron. University Park, 2017, p. 102.

Marandel, J. Patrice. “Dealing and Scholarship: The Heim Gallery, London 1966–1995.” In Buying Baroque: Italian Seventeenth-Century Paintings Come to America, ed. Edgar Peters Bowron. University Park, 2017, p. 85.

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Catalogue Raisoneé

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Credit Line for Reproduction

Sebastiano Ricci, The Miraculous Draught of Fishes, ca. between 1695 and 1697, oil on canvas. Detroit Institute of Arts, Gift of the Matilda R. Wilson Fund in memory of Matilda R. Wilson, 76.146.