About the Artwork
This well-documented mask was once worn in performances conducted by the N’domo, the first of several initiation associations in Bamana culture tasked with guiding the development of men from youth to old age to insure an ordered community life. All Bamana males receive a six-stage social and religious instruction. The first stage, or N’domo, lasts approximately five years and culminates in boys’ circumcision. The N’domo mask is said to depict primordial man in his uncircumcised, androgynous state.
In its most basic form, the N’domo mask depicts a human face topped with a side-to-side row of vertical horns, which number from four to eight. The antelope adorning the top of this mask is framed by two female figures and the ends of its horns are connected, an extremely unusual iconography in Bamana sculpture. This rare mask is from the Segou region of southern Mali.
From Bulletin of the Detroit Institute of Arts 89 (2015)
Mask (Ndomo)
19th century
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African
Bamana
Wood
Overall: 34 inches (86.4 cm)
Sculpture
African Art
Museum Purchase, Ernest and Rosemarie Kanzler Foundation Fund
2014.39
Public Domain
Markings
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Provenance
(Christie's, New York, New York, USA);2014-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Credit Line for Reproduction
Bamana, African, Mask (Ndomo), 19th century, wood. Detroit Institute of Arts, Museum Purchase, Ernest and Rosemarie Kanzler Foundation Fund, 2014.39.
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