Maple Sugar Mold

ca. 1850

Ottawa, Native American

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Maple Sugar Mold

Artwork Date ca. 1850

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Native American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Ottawa

Medium Wood

Dimensions Overall: 21 3/4 × 3 × 1 1/4 inches (55.2 × 7.6 × 3.2 cm)

Classification Wood and Woodcarving

Department Indigenous Americas

Credit Founders Society Purchase

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 81.141

Markings

Inscriptions Inscribed, engraved on back: CROSS, village, APRIl [2? undecipherable] 17.18, [above 7.1: An? undecipherable]

Provenance

Mary B. Shurtleff (Cross Village, Michigan, USA);
purchased by Richard A. Pohrt [1911-2005] (Flint, Michigan, USA);
1981-present, purchased 1981 by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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