Kresge Court, Detroit Institute of Arts

ca. 1964, printed 2012

Bill Rauhauser American, 1918-2017

Not On View

Kresge Court, Detroit Institute of Arts: 1 of Collection Gallery

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About the Artwork

According to Detroit native and lifelong photographer Bill Rauhauser, “There are three iron laws of photography: being there, being ready and being lucky.” For more than sixty years this credo informed his work where the unexpected moments of everyday life came together in his photographs taken mostly in Detroit and of its people, streets, carnivals, and fairs, as well as at his beloved Detroit Institute of Arts. He frequently spent time at the DIA enjoying its art collections and photographing individuals in its galleries and other public spaces. Rauhauser worked on in-depth thematic series throughout his career and one in particular focused on women smoking. He captured this stylish young lady enjoying a cigarette in the DIA’s now smoke-free Kresge Court. This photograph is part of Rauhauser’s unprecedented archive of more than 10,000 images made throughout Detroit from the 1950s through the late 1970s.
From Bulletin of the Detroit Institute of Arts 89 (2015)

Title Kresge Court, Detroit Institute of Arts

Artwork Date ca. 1964, printed 2012

Artist Bill Rauhauser

Life Dates 1918-2017

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Pigment inkjet print on paper

Dimensions Image: 11 3/4 × 18 inches (29.8 × 45.7 cm) Sheet: 17 × 22 inches (43.2 × 55.9 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Gift of the artist in memory of Doris Rauhauser

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2012.113

Markings

Signed Signed in ink, on recto, lower right: WR

Provenance

2012-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Bill Rauhauser, Kresge Court, Detroit Institute of Arts, ca. 1964, printed 2012, pigment inkjet print on paper. Detroit Institute of Arts, Gift of the artist in memory of Doris Rauhauser, 2012.113.