  About the Artwork
  
  
  According to Detroit native and lifelong photographer Bill Rauhauser, “There are three iron laws of photography: being there, being ready and being lucky.” For more than sixty years this credo informed his work where the unexpected moments of everyday life came together in his photographs taken mostly in Detroit and of its people, streets, carnivals, and fairs, as well as at his beloved Detroit Institute of Arts. He frequently spent time at the DIA enjoying its art collections and photographing individuals in its galleries and other public spaces. Rauhauser worked on in-depth thematic series throughout his career and one in particular focused on women smoking. He captured this stylish young lady enjoying a cigarette in the DIA’s now smoke-free Kresge Court. This photograph is part of Rauhauser’s unprecedented archive of more than 10,000 images made throughout Detroit from the 1950s through the late 1970s.  
From Bulletin of the Detroit Institute of Arts 89 (2015)
  
  
  Title
  Kresge Court, Detroit Institute of Arts
  
  
  Artwork Date
  ca. 1964, printed 2012
  
  Artist
  Bill Rauhauser
  
  
  
  Life Dates
  1918-2017
  
  
  
  
  Nationality
  
  
  
  Please note:
  Definitions for nationality may vary significantly, depending on chronology and world events.
  Some definitions include:
  Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation.
  
  
  
  American
  
  
  
  Culture
  
  
  
  Please note:
  Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group.
  
  
  
  
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  Medium
  Pigment inkjet print on paper
  
  
  Dimensions
  Image: 11 3/4 × 18 inches (29.8 × 45.7 cm)
  Sheet: 17 × 22 inches (43.2 × 55.9 cm)
  
  
  Classification
  Photographs
  
  
  Department
  Prints, Drawings &amp; Photographs
  
  
  Credit
  Gift of the artist in memory of Doris Rauhauser
  
  
  
  Accession Number
  
  
  
  This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection.
  Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings.
  For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups.
  
  
  
  2012.113
  
  
  Copyright
  © Bill Rauhauser
