Homage to the World

Louise Nevelson American, 1899 - 1988
On View

in

Contemporary, Level 2, North Wing

  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

    Provenance page
  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

    Suggest Feedback
  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

    Suggest Feedback
  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Nevelson built her "wall" sculptures from prefabricated wooden boxes, stocking them with objects that she found around her: in the case of Homage to the World, she used hat stands and table legs. In her use of the "found object," she extended the legacy of the wood constructions and collages of Picasso and his circle after World War I, but pushed this idea to an architectural scale. Her "walls" also owe a debt to the iconoclastic innovations of American painters in the 1950s—notably Mark Rothko, Clyfford Still, and Barnett Newman—for the increased scale, use of non-traditional materials, and interest in creating an engulfing, sensuous environment. In these works, Nevelson sought to create her own universe, perhaps as a shelter from her personal loneliness. The uniform coat of matte black paint that covers the "wall" suggests infinite space, distance, mystery, and shadow.

Homage to the World

1966

Louise Nevelson

1899 - 1988

American

----------

Painted wood

Overall: 108 inches × 392 inches

Sculpture

Contemporary Art after 1950

Founders Society Purchase, Friends of Modern Art Fund other Founders Society Funds

66.192

Restricted

Markings

Please note: This section is empty

Provenance

1966-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Art News 65, no. 6 (Oct. 1966): 58, 61.

Louise Nevelson. Exh. cat., Whitney Museum of American Art. New York, 1967, no. 94 (ill.).

Bazin, Germain. The History of World Sculpture. New York, 1970, pl. 1021, p. 447, (ill.). (Error, titled as "Homage to 6,000,000", on extended loan to Jewish Museum from the Albert A. List family).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Louise Nevelson, Homage to the World, 1966, painted wood. Detroit Institute of Arts, Founders Society Purchase, Friends of Modern Art Fund other Founders Society Funds, 66.192.

Homage to the World
Homage to the World