The Holocaust

1918

Martin Lewis American, 1881-1962

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Provenance page
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Suggest Feedback
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Suggest Feedback
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title The Holocaust

Artwork Date 1918

Artist Martin Lewis

Life Dates 1881-1962

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Etching, sandpaper ground, aquatint, and drypoint printed in blue-black ink on laid paper

Dimensions Plate: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm) Sheet: 14 × 17 7/8 inches (35.6 × 45.4 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Mr. Robert M. Katzman and Mrs. Lisa Katzman in honor of Sidney and Betty Katzman and their children, Ellen and Laura, from the collection assembled by Patricia Lewis

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1999.1621

Markings

Signed Signed, in plate, lower left: MARTIN LEWIS | 1918 Signed, in pencil, lower right: Martin Lewis-

Inscriptions Inscribed, lower left: Holocaust

Marks Watermark: partial device in lower right corner Stamp, in black, verso, lower left: COLLECTION | PATRICIA LEWIS

Provenance

1999-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Martin Lewis, The Holocaust, 1918, etching, sandpaper ground, aquatint, and drypoint printed in blue-black ink on laid paper. Detroit Institute of Arts, Gift of Mr. Robert M. Katzman and Mrs. Lisa Katzman in honor of Sidney and Betty Katzman and their children, Ellen and Laura, from the collection assembled by Patricia Lewis, 1999.1621.