Her Highness Princess Mary

between 1675 and 1751

John Simon English, 1675-1751

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Her Highness Princess Mary

Artwork Date between 1675 and 1751

Artist John Simon

Life Dates 1675-1751

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium ----------

Dimensions Sheet: 14 × 9 3/4 inches (35.6 × 24.8 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 49.252

Markings

Signed Signed, lower right: J. Simon fe. et ex

Inscriptions Inscribed, lower left: E. Seeman pinxit Inscribed, lower center: Her Highness Princess Mary | Fourth Daughter to his Majesty King George y II | Done from the Original Picture Painted for y Princess of Orange

Provenance

1949-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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