Dr. Samuel A. Bemis

1842

Chester Harding American, 1792-1866

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title Dr. Samuel A. Bemis

Artwork Date 1842

Artist Chester Harding

Life Dates 1792-1866

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 36 1/4 × 28 1/4 inches (92.1 × 71.8 cm) Framed: 48 × 39 1/8 × 4 3/4 inches (121.9 × 99.4 × 12.1 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Dexter M. Ferry, Jr.

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 27.538

Markings

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Provenance

the sitter, Dr. Samuel A. Bemis (Boston, Massachusetts and Hart's Location, New Hampshire, USA).
probably George W. Morey (Hart's Locations, New Hampshire, USA);
1927, Florence Morey (Bemis, New Hampshire, USA);
1927-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Burroughs, Clyde H. “Portraits by Wollaston and Harding.” Bulletin of the DIA, 9, 21 (November 1927): pp. 19-21.

________________. "Early American Portraits at the Detroit Institute of Arts.” Art in America, 17 (October 1929): pp. 271, 273.

Lipton, Leah. A Truthful Likeness: Chester Harding and his Portraits. Exh. cat., The National Portrait Gallery. Washington D.C., 1985, pp. 15, 19, and 180.

Simon, Robin. The Portrait in Britain and America. Oxford, 1987, p. 186 (ill.).

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