Creature

2015

Tomoko Konno Japanese, born 1967

On View

Japanese Art, Level 1, North Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Creature

Artwork Date 2015

Artist Tomoko Konno

Life Dates born 1967

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Japanese

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Porcelain, pigments, clear glaze

Dimensions Overall: 21 3/4 × 23 1/8 × 5 3/4 inches (55.2 × 58.7 × 14.6 cm)

Classification Ceramics

Department Asian Art

Credit Museum Purchase, Joseph H. Parsons Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2017.8

Markings

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Provenance

(Onishi Gallery, New York, New York, USA);
2017-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Oyobe, Natsu. “The Contemporary Japanese Ceramics Collection at the Detroit Institute of Arts.” Bulletin of the DIA 92, no. 1/4 (2018): pp. 64-65 (fig. 16).

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