Coat of Arms of Edward VI as Prince of Wales

16th century

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Provenance

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Coat of Arms of Edward VI as Prince of Wales

Artwork Date 16th century

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Stained glass: pot metal; white glass and silver stain

Dimensions Overall: 25 1/4 × 21 1/2 × 1/4 inches (64.2 × 54.6 × 0.7 cm) Overall roundel: 18 11/16 inches (47.4 cm)

Classification Stained Glass

Department European Sculpture and Dec Arts

Credit Gift of K. T. Keller

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 58.123

Markings

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Provenance

until 1911, Baron Sudeley, Toddington Manor (Gloucestershire, England);
October 4, 1911, 4th Baron Sudeley sale, no. 197 (Galerie Helbing, Munich, Germany);
until 1951, purchased by William Randolph Hearst [1863-1951] (New York, New York, USA);
1951, bequeathed to the William Randolph Hearst Foundation (New York, New York, USA);
1958-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

H. Lehmann, Die ehemalige Sammlung schweizerischer Glasmalereien in Toddington Castle (England) (Munich 1911), p. 132, no. 197

STAINED GLASS BEFORE 1700 IN AMERICAN COLLECTIONS: MID- WESTERN AND WESTERN STATES (CORPUS VITREARUM CHECK- LIST III), Studies in the History of Art, vol 28, Washington, DC: National Gallery of Art, 1989, p 174 (ill B) (with bibliography).

Raguin, Virginia C. and Helen J. Zakin, CORPUS VITREARUM UNITED STATES OF AMERICA PART VII: STAINED GLASS BEFORE 1700 IN THE COLLECTIONS OF THE MIDWEST STATES, vol I, London: Harvey Miller Publishers, 2001, pp 258, 261, for further bibliography p 258.

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Catalogue Raisoneé

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Credit Line for Reproduction

English, Coat of Arms of Edward VI as Prince of Wales, 16th century, stained glass: pot metal; white glass and silver stain. Detroit Institute of Arts, Gift of K. T. Keller, 58.123.