The Chrysler Building at Night

1997

Tom Baril American, born 1952

Not On View

The Chrysler Building at Night: 1 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title The Chrysler Building at Night

Artwork Date 1997

Artist Tom Baril

Life Dates born 1952

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. ----------

Medium Platinum print

Dimensions Image: 12 × 9 3/8 inches (30.5 × 23.8 cm) Sheet: 14 × 17 inches (35.6 × 43.2 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Gift of Warren and Margot Coville

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2003.176.19

Markings

Signed Signed and dated, in pencil, below image, right: Tom Baril 97

Inscriptions Inscribed, in pencil, below image left: 23/50

Provenance

Warren and Margot Coville (Bloomfield Hills, Michigan, USA);
2003-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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