About the Artwork
The Kom people of Cameroon boast a centralized political system headed by a king and supported by a hierarchy of nobles. This mask, called mabuh, originally belonged to the Kwifoyn society, a group of the Kom elite that ensured smooth governance by enforcing the law, effecting royal summons, and arresting convicted criminals for execution. Although generally called a "monkey mask," the mabuh probably depicts a chimpanzee, given its massive, overhanging eyebrows and prominent teeth. The chimpanzee's precise symbolic significance to the Kwifoyn remains unknown. But the three forward-facing quadrupeds perched atop the mask may be leopards, dangerous predators that allude to the Kwifoyn's regulatory powers.
The mabuh plays an integral part in kingship investiture. This mask witnessed and publicly validated Kom King Jinapor II’s installation in 1976 before it was sold by a Kom prince to a European art dealer. It is decorated with highly treasured ancestral blue glass beads and European-imported seedlike beads. Both materials and the cowrie shells were previously traditional Kom indicators of wealth, thus alluding to the Kwifoyn’s prestige.
Chimpanzee Mask
19th century
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African
Kom culture
Wood, fabric, glass beads, cowrie shells, natural fiber
Overall: 18 1/2 × 15 × 13 1/4 inches (47 × 38.1 × 33.7 cm)
Sculpture
African Art
Museum Purchase, Ernest and Rosemarie Kanzler Foundation Fund
2016.2
Public Domain
Markings
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Provenance
(Entwistle France, Paris, France);2016-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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Credit Line for Reproduction
Kom Culture, African, Chimpanzee Mask, 19th century, wood, fabric, glass beads, cowrie shells, natural fiber. Detroit Institute of Arts, Museum Purchase, Ernest and Rosemarie Kanzler Foundation Fund, 2016.2.
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